The images of Piazza San Marco are meant to recall Canaletto's pictorial style, but contravening the rules that the famous painter followed: precise lines, miniaturized details, everything perfectly in focus, but recalling the manipulation of reality that he pursued by changing the position of the buildings and opening new views to create the perfect composition.

I reread the most famous places he painted, in particular Piazza San Marco, with deliberately blurred and overexposed images, thus wanting to bring to the memory of those who observe the art of painting using the medium of photography.

The master Giorgio De Chirico represents what is beyond the physical appearance of reality; some of his works were characterized by the recurrence of essential architectures, proposed in unrealistic perspectives immersed in a transcendent and spectral climate. In the various metaphysical interiors, objects were painted in those years that were totally incongruous with respect to the context. The architecture of the places and those who live there take on a new shape. In my photographic perception, places known to many are transformed, impressing a supernatural character on them. Reality transforms, becoming impalpable and eternal.